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Affective Digital Histories Blog

More Sounds of the Cultural Quarter

Posted: Tue, 05 Aug 2014 21:23 by Amy Barnes

More Sounds of the Cultural Quarter

By Colin Hyde

While I have been pounding the streets of the Cultural Quarter, asking people to record the sounds around them on mobile phones, I have also been doing some recording myself. The best collection of sounds I found today came from the various machines in Halford Shoes at 38 Halford Street. In 1969 this shop was Hartley's Corn Stores (for which we have no sound), but the current business cuts keys, mends shoes, and does engraving too. The machines that do this make a wonderful variety of cutting and grinding noises and this is your guide to the sounds I recorded.

Listen to the recording on SoundCloud.

First, the sound of the doorbell as you enter the shop. Then, the key cutter, the compressor (with the sound of the doorbell towards the end), and the slightly quieter sole and heel press. The much louder finishing machine starts at full pelt but slows down and, finally, the engraving machine rounds it off.

Many thanks to Halford Shoes for allowing me to record in their shop.

If you live, work, or play in the Cultural Quarter why not record a minute or two of the sound around you on your mobile phone and email it to me.

The Sound of Leicester's Cultural Quarter

Posted: Mon, 07 Jul 2014 09:51 by Amy Barnes

The Sound of Leicester's Cultural Quarter

By Dr Andrew Hill

Sounds are all around us, but we very rarely stop and listen to what we can hear. Sounds can tell us the story of what's going on in an area:

  • How much is going on?
  • What type of activities are taking place?
  • How do these activities change over time (for example: how do the sounds change over the course of a day?).

Sounds leave us with a visceral impression of human activities, the 'goings on' in a certain place at a particular point in time.

What are we doing?

We're digging back through the archives to try and work out what the Cultural Quarter would have sounded like between 1950 – 1990. And, with your help, we're seeking to create a contemporary archive of the sounds of the Cultural Quarter today.

What sounds do you hear when you:

  • Come to work in the Cultural Quarter?
  • Come home?
  • Visit the theatre or cinema?
  • Pop out for some shopping?
  • Grab a drink at the bars?
  • Have dinner in one of the restaurants?
  • Take part in one of the street festivals / events?

We're looking for the sounds that most stick in your mind and those that are most important to you. What sounds are iconic to this area? Help us build an archive that people will be able to look back on in 50 years time and compare with their future soundscape.

Why are we so interested in sound?

Photographs and maps provide physical evidence of the past, but these can only tell us what things looked like at a specific snapshot in time, often from the outside. Sounds can give us a much richer understanding of an area, telling us what is happening out of sight (around corners or within buildings) and what happens over a period of time.

But sounds are also ephemeral. They exist only while the action causing them lasts and then they fade away. So many of the past sounds of the Cultural Quarter have been lost forever.

But with help from participants and members of the public coming forward to share their experiences of the Cultural Quarter, we have begun to build up a picture of what the Cultural Quarter would have once sounded like.

What will be the end result?

We've been visiting museums and factories to collect the sounds of machinery, of buses, of sirens and we are bringing all of these sounds together into an interactive mapping application.

We're going to reconstruct the sounds of the Cultural Quarter as it would have been prior to regeneration, shedding new light on the activities that took place there. And creating an interactive experience that will allow users to explore the sounds of the Cultural Quarter (past and present) to discover something new about this diverse and ever evolving sector of the town.

Get Involved

If you work, rest or play in the Cultural Quarter today, why not use your phone (or other gadget) to send us an audio recording of any sounds that you find interesting?

If you have experience of the area in the past (when it was known as St Georges) then please get in touch with us and let us know of any interesting sounds / experiences that you remember in the area.

Contact: Colin Hyde, University of Leicester, tel: 0116 2525065, website: www.le.ac.uk/emoha/

More information – for more information on soundscapes you might find this TED talk interesting. Bernie Krause talks about the sounds of nature Biophony (though of course in this project we're interested in the sounds of humans – Anthrophony).

For information about recording (equipment and ideas) check out this great page from the organisation Sound and Music:

What stories do we want to tell?

Posted: Wed, 02 Jul 2014 17:41 by Amy Barnes

What stories do we want to tell?

A couple of weeks ago, on a sunny Saturday in Leicester, a group of Cultural Quarter residents, workers and users met at the Phoenix to discuss memories and experiences of the area and to think about the types of stories we would like to pass onto others and how we would like to share them.

All the participants live, work or otherwise spend time in the area on a regular basis. Asked about the kinds of stories that they wish they could be told by past residents and workers in the area and what they would like to tell the future residents about the Cultural Quarter as it is today, they mentioned the area's international flavour, the Asian wedding processions outside Athena; the surreal experience of dressing up for performances of the Rocky Horror Show at Curve. The Cultural Quarter is a work in progress, which is part of what makes it special. It is continually changing and developing and yet, enough remains of its past incarnation as a light industrial area to remind residents, workers and visitors of what went before. The group observed the sometimes unlikely and seemingly uncomplimentary mix of activities and programming in the area: from Asian weddings to Roy Chubby Brown; cage fighting to faith healers. Participants were concerned that the more counter-cultural and even seedier side of the St George's area, as it was previously known, isn't lost. Because, after all, people are fascinated by the sordid! And the clubs, drugs and police raids remain a valid part of people's experience. The ordinariness of everyday life is equally engaging - where did people shop? How did they spend their leisure time? What did they talk about? However mundane we think our daily lives are, everything we do and think about will be fascinating to people in the future!

Again, everyone agreed that talking about a place can set others off reminiscing about their experiences. These are oral histories of a kind. And when you start to tell other people about an area, you become its ambassador. Today we might worry about over-sharing on social media...yet, talking and sharing memories and experiences are an important aspect of maintaining good mental health, especially into old age.

Next, the participants were asked to imagine that it's the year 2064. In what situations could they imagine themselves telling and listening to stories? How would that happen? How could the story-telling, reading and listening be promoted? Everyone agreed with one suggestion that it would be fantastic to walk down a street in the Cultural Quarter today and somehow see it as it was fifty years earlier or hear sounds that are long gone: to be able to interpret signs of past lives in the present day. Suggestions about how to facilitate this included something temporarily tangible, like a momentary projection – an unexpected moment that would make people stop in their tracks and trigger lots of different memories and associations. The example of Dennis Severs' House in London, was suggested by one of the participants. There, an atmosphere has been careful crafted to give the impression that the house is still inhabited. This approach gives visitors a sense of how people lived in and interacted with the house.

The group thought it was really important to maintain a balance between the digital and the analog in the present day; not everyone is comfortable with smartphones and apps. But also, we can't possibly know how people will use and access digital information, just like we can't be sure about what they will be interested in and how much of 'our' stories will be 'lost in translation'. Everyone thought it would be important to maintain a sense of physical interaction and materiality. Several of the group had great and slightly eerie stories about objects they had found in sheds and old workshops – banal, everyday things, like crisp packets and comics secreted in an out-of-the-way hidey-hole and yet infinitely fascinating. Without knowing their true origin, we can construct all sorts of meanings from them. An important reminder that the things we often think of as throw-away and insignificant, may yet be the most intriguing finds for future generations. After a spot of lunch in the Phoenix's Café Bar, we settled down to our last task of the day: using materials like PlayDoh, pipe-cleaners and craft card to design and 'sculpt' our visions for the delivery of the stories we want to tell…

Many thanks to Petrina, Romina, Sarah and Gino for taking part, and to the Phoenix for providing participants with complimentary cinema tickets as a thank you for their time. Similar events are coming soon. Keep your eye on our 'News' and 'Events' pages, the Phoenix website and our project Twitter account, @affective_ for further details.

AFFECTIVE DIGITAL HISTORIES: WHAT, WHERE, HOW?

Posted: Thu, 12 Jun 2014 14:48 by Rav Kaur

AFFECTIVE DIGITAL HISTORIES: WHAT, WHERE, HOW?

Affective Digital Histories: Re-creating De-Industrialised Places, 1970s to the Present is a research project which explores the lost and untold experiences of the people who have and do live and work in former industrial buildings at two locations in the East Midlands: Leicester's Cultural Quarter and Glossop, a mill town in North Derbyshire.

Having kicked off last autumn, the project has really started to gather some momentum in the last couple of months. We've held workshops and awarded creative writing commissions. Here we'll document the project as it progresses. Researchers, collaborators and co-producers will use this blog to describe what we're up to, the types of data we're producing, the fascinating resources we locate and creative responses to them.

Affective Digital Histories has emerged from several earlier projects, notably the St Georges app, produced by Leicester University, Cuttlefish and Phoenix, in collaboration and Nottingham and Nottingham Trent Universities. You can read more about the app (and how to download it) here.

Many of our initial resources – including historical and contemporary photographs and oral histories - were compiled during the development of the app and can be found in our digital archive. We're now in the process of adding to this resource and we're always on the look-out for photographs, ephemera and memories of the Cultural Quarter (then the St Georges area) between the 1970s and 1990s. Did you work at Rowley's, dance at the Palais, rave at Dielectric or rock New Romantic chic at Helsinki? We would LOVE to hear from you! Drop us a line, by leaving a comment below or emailing us: affective@le.ac.uk.

Of course, Affective Digital Histories isn't just about Leicester. We're also looking at Glossop, a former mill town in the north of Derbyshire. As factories and warehouses in the St George's area closed down and were replaced by often sub and counter-cultural activities, so too the situation in Glossop. The Glossop 'stream' of the project draws on several previous projects led by the University of Leicester, notably 'Glossopoly'.

There is a load more to come over the next few months, including lots of opportunities for members of the public to get involved in the project. Keep an eye on the 'News' section of the website for details of upcoming events.

Amy

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