Affective Digital Histories

These cuttings relate to the Affective Digital Histories flash fiction commission, ‘An Imperial Typewriter’ by Divya Ghelani.

These cuttings relate to the Affective Digital Histories flash fiction commission, "An Imperial Typewriter" by Divya Ghelani.

These cuttings relate to the Affective Digital Histories flash fiction commission, "An Imperial Typewriter" by Divya Ghelani.

A colour photograph of Cannon House, which is on Rutland Street next to St. George's Church.

Collection of photographs of Charles Street (2)

Collection of photographs of Charles Street.

Leicester Mercury newspaper article celebrating 20 years of rhe Phoenix Arts Centre in Leicester from 1963-1983.

47 minutes and 9 second interview with an anonymous Leicester man aged 42 who recounts his memories of growing up in Leicestershire, working in London as a magazine publishing intern in the 1990s and of the Dielectric club in Leicester. He started going to the club in 1993 and describes the interior of the club building and the different types of music played. He talks about the rave scene in general and the "authentic experience" of the Dielectric. He describes the clothes worn by the ravers and the alternative atmosphere in the club, as well as the drug use. Later in the interview the man talks about the changes to Leicester in the late 1990s, his mother's involvement in the hosiery industry and the closure of the Dielectric in 1998.

50 minute interview with Anna Mee, lifelong resident of Leicester. She describes her family background and how she left school at fifteen and became a cutter, eventually working at several hosiery manufacturers in Leicester. She recalls her brand new Secondary Modern school ; going from work to the lunchtime dances at the Palais on Fridays ; how the industry employed an entirely white workforce until the 1970s, when Asian women started to be employed ; meeting her husband at El Rondo ; being sacked for coming back to work drunk after lunchtime drinks ; as a child going to see the Coronation with her school at the Odeon cinema ; how she and her husband took over the running of The Charlotte in the early 80s. She recalls how Helsinki's was the fashionable place to go, and the scene at El Rondo where the black guys liked to dance and so were popular with the white girls. She relates how the hosiery factories were gradually replaced by small units and the area became run down.

38 minute 50 second interview with Beverley Haddon, longtime resident of Leicester, formerly an overlocker at various Leicester hosiery companies. The interview includes Beverley talking about her family background, leaving school at fifteen and beginning work at Corah's. She describes the division of labour by gender and recalls how the younger women spent their wages on clothes. She recalls working at Cherub's and finding the work boring and the atmosphere old fashioned. She remembers how the women hosiery workers became friends with Asian immigrants to the city, teaching them how to work the machines. Beverley lists some of the many jobs she has had over the years in various Leicester hospitals, and her work with the homeless and victims of domestic violence. She recalls some of the clubs and bars in what is now the cultural quarter and how young white women often mixed with young Afro-Caribbean men. She speaks about how the hosiery industry began to decline in the 1980s and 1990s.

19 min 27 sec interview with John Barradell, retired textile designer employed by Thompson Fabrics, Leicester. The interview includes; family background; training as a graphic designer, career outline; marriage; John and his wife design for Corahs, then employed by Thompson Fabrics in their design studio, large factory employing 200 workers; John describes the overwhelming stench coming from the nearby Butchers' Hides and Skins building; unions; the area around Thompson Fabrics; retirement; social life in area; closure; John then worked in Hinckley setting up a youth opportunities program; decline of textile industry.

46 minutes 43 seconds interview with Nils Feldman, an architect. The interview includes Nils talking about university and training to be an architect. He then gives a career outline and includes the architectural projects he has been involved with, and working with the Regeneration Company. Nils gives his opinion on the architecture of the Cultural Quarter and Curve Theatre and goes on to talk about the LCB Depot (Leicester Creative Business Depot) and the regeneration of the area. Nils then talks about the cultural and social life around the Phoenix Theatre and Orton Square. Finally Nils talks about the discovery of King Richard III and how it will affect the tourism industry in Leicester.

30 minutes and 43 seconds interview with Trevor Lock. Trevor Lock was born in Portsmouth in 1949 and moved to Leicester in 1975 to work as Information Development Officer at the National Youth Bureau (now the National Youth Agency). He talks about his life in Leicester including running a pub called G3 for 3 to 4 years, living in the first converted mill flats in Deuce House StGeorges and visiting the Helsinki Club where Garage and Happy Hardcore music was played, he also describes the interior of the club. He describes raves at Rack and Roll on a Saturday night that went through to 7am Sunday, the interior of the G Spot sex club, the different "estate tribes" using the pubs in Leicester and the unsafe atmosphere in the city centre in the evenings during the 1970's/80's.

41 minutes 52 seconds interview with Winston Thomas former doorman. Winston talks about his training as a carpenter, and painter and decorator in 1970's and also his martial arts background. Started door work in 1982 at Coasters in Lee Circle. Later he worked at Helsinki's bar, a popular bar, with huge mix of people, everyone was welcome. Winston goes on to talk about racism among club goers and bouncers. He was busy and worked all over Leicester, he finished working as doorman in early 1990's after almost 15 years. He describes an incident at Coasters involving 20 members of the Baby Squad gang who caused a large fight, Helsinki's was quiet place in comparison with only occasional fights. Finally, he recalls other incidents whilst working as a doorman.

Leicester Mercury rave newspaper cuttings 3

Final version of the radio play commissioned as part of the Arts & Humanities Research Council's Affective Digital Histories project.

Final version of the flash fiction commissioned as part of the Arts & Humanities Research Council's Affective Digital Histories project.

Final version of the historical narrative non-fiction commissioned as part of the Arts & Humanities Research Council's Affective Digital Histories project.

34 second sound recording of a steam kettle whistling.

51 second sound recording of a busy market, with the sound of wheels turning, motor vehicles and peoples voices.

9 minutes and 37 second interview with Hena Lakhani. Please note audio momentarily drops out throughout interview. Hena emigrated from Uganda to Leicester in 1971 when she was two years old. Hena has childhood memories (1970s-1980s) of the St George's area being full of noisy factories, many South Asian women worked in the hosiery and packaging factories. She also remembers the Leicester fortnight when the factories and schools would shut down and everyone would go on holiday or spend time with their families. In the 1980s Hena would often go to the Odeon Cinema (now the Athena) with friends and meet them at the International Hotel for coffee.

30 minute and 42 second interview with Wendy Christian in which she recalls her visits to LUCA in the late 1970s-1980s, she describes the venue and the different events held there. Wendy talks about the music scene in Leicester at that time and mentions the Spectrum club, Freewheelers, Adam and Eve, and the Palais. Wendy also recalls her singing career and the homegrown, vibrant music scene in Leicester in the 1970s and 1980s.

A colour video (duration 2 minutes 1 second) of a man recalling his time when he was seventeen spent working at Leicester Hide and Skin in the bad working conditions. He also recalls seeing the Odeon cinema, International Hotel and other industrial buildings in the area at that time. Poor sound quality, beginning and end of video cut off.

A colour video (duration 1 minute and 7 seconds) of a man talking about his memories of the Leicester United Caribbean Association Centre, which used to be where Curve now stands. Poor sound quality.

Newspaper article describing how S.A. Squirrell Co. was convicted and fined for supplying counterfeit training shoes.

Colour photograph of Cherub brand childrens socks with label on socks dated 11th March 1942.

Colour photograph of the Guild of the Crippled, later the Shri Shirdi Sai Baba Temple, abandoned and boarded up.

Black and white drawing showing Premier House, 1905.

Colour photograph showing the detail on Premier House

Colour photograph showing the entrance to Premier House.